Thursday, April 14, 2011
Speakers Provide Valuable Information
Thursday, February 18, 2010
Clark Surprised Us with a Visit
She shared that they we needing articles of all kinds. Any subject basically. It is wonderful when we receive visits like this. This goes to show what word of mouth can do for you as a writer! Her manager heard about us from his manager. Therefore, his manager went to Sherrie and asked her to visit us. Wow! This is the power of marketing.
Sherrie shared with us how that they had received 600 face book fans just in the first day they opened. It was a miracle for this new company that they have started off so powerful. That of course, is the power of God.
She told us not to worry about how many articles to send that she would find a way to use them. Sherrie said that a good word count would be anywhere from 300-1000 words for an article. They do not pay at the moment but they are hoping to in the near future. They have already received an overwhelming hit on their site as to who is reading what. That is the power of the media and internet.
She is interested in receiving new articles daily. They do devotions as well but not accepting many at this time. You may reach Sherrie for questions at (904)-887-9981. Also by email at SV.Clark@comcast.net and articles@jaxchristian.com. Share your story with Jax Christian today! Thanks Sherri for visiting with us and we look forward to the opportunity of working with you and with Jax Christian.
Christine M Ramey, FCCW Secretary
Thursday, January 21, 2010
DiGenti Shares His Ideas On Character Development

Vic talked about character development in fiction and writing effective dialogue. He began by saying, “One of the things that makes a novel memorable is strong and realistic characters.” He characterized it by stating “…writers, in effect, are playing God because they’re creating people, even though they’re storybook people.” Storybook people aren’t like real people, they’re bigger than life in many ways. Real people lead boring lives, but storybook people must stand out and hook a reader’s interest.
The writer can begin the process of creating storybook people by building a history for them. This can include details of the character’s background, physical characteristics, education, occupation and more. By doing this the writer is able to understand a character’s actions and motivations, even if much of this biographical information doesn’t appear in the story.
Sometimes, you can develop your character from someone you know. Use some of their traits, and build around them, letting the character’s grow in your imagination like a scientist grows cultures in a petri dish. As the character grows, Vic said, “…you’ll be surprised how they take on a life of their own.”
The second part of his presentation focus on how to write effective dialogue. Dialogue is an essential part of a good story, but writing good dialogue takes work and practice. Many people think writing dialogue is easy since people have been talking all their lives, but story dialogue isn’t like real life conversation which tends to be filled with pauses, and “uhs,” “you knows,” and boring interaction that wouldn’t work in a story where every line should move the story forward.
Building conflict into dialogue adds interest to the story and the characters. Oblique dialogue is another way to add tension to a conversation. This occurs when a speaker doesn’t answer a question or changes subjects abruptly. Vic also suggested that writer should read their work aloud or record it into a tape player and listen to it. Surprisingly, clunky and confusing language is much more apparent when listening to it rather than reading it to yourself.
Attributions in dialogue refers to the “he said,” “she said” part of the sentence which tells the reader who is speaking. Too many beginning writers believe the reader will get bored reading this over and over and augment them with adverbs like, “he said dramatically,” or uses words like, “she intoned,” or “he grumbled.” Resist the urge to make these changes as they mark the author as a beginner. The reader accepts the “he said,” “she said” attributions and barely notices them. And not every line of dialogue needs attribution after the speakers have been identified.
Vic also talked about “beats,” which are the bits of stage business a character might do while they’re talking. For example, the author might have the character tugging at an earlobe or pushing a lock of hair from her forehead. These are beats, and they help the reader visualize the scene. But be careful not to overdo the beats as they can slow down the flow of the scene.
Anyone interested in attending Vic’s Novel in a Day workshop at UNF can find more information at http://www.ce.unf.edu/learn.html.
Christine M Ramey, FCCW Secretary
Thursday, December 17, 2009
Hadden Shares His Business Perspective on Writing
Thursday, December 3, 2009
Quatrano Defines a "Professional Writer!"


Nancy provided handouts to assist us in following along as she expounded on the key components of etiquette.
Number one component is to be prepared. Be prepared to meet people and put forth your image as a professional writer. Know what you are going to say, be ready to answer questions and engage in conversations. Know your abilities. What do you want to do? What can you do? You need to be ready by reviewing these ideas and coming up wit the answers. Also important is to never pretend you know more than you really do. Don't have your own agenda. Be open to listening and learning something new. Which leads us to component number 2 Learn, Listen, Rewrite.
Listening is a great way to gather information. People talk about what they are passionate about. You learn about people by what they talk about. Also, listen to strangers talking. This is a great tool to help learn to write dialogue. It helps you pick up on dialect and regional nuances. You will be amazed how much you can learn simpy by listening. Keep notes in a 3 X 5 card file or a "dialog" folder in your desk so you can refer to them when you are writing an article or chapter and need that local "flavor."
Component number three Write to Submit. You will never get paid to be a writer if you never submit your work. "Be encouraged to do little things." Write articles and short stories, they are fast and easy ways to get published. You need to commit time to your writing and give yourself deadlines to get things done. "A Professional Writer submits their work." Submit to magazines, contest anything that will get you read and may be seen by editors. Join writing groups, go to conferences, submit to reputable contests. These will help you hone your own writing skills and shape your image as a professional writer. "Writers blossom with other writers." Becoming known will help you get noticed by Agents and Editors.
This is the Fourt component. To finally make it to the world of agents and publishing. Nancy reminds us, "God gives us our passions, our job is to use them." If we just use our passions, the results will be there.
God blessed Nancy with a voice and a gift to write songs. She was singing with the adult Wesminister Choir at Princeton NJ when she was nine years old, and professionally by the age of 13. By seventeen, she was making a comfortable living at singing. She planned to use her earning to go to nursing school, but soon decided there was too much life to be lived. After one year, she left nursing school. Her singing and songwriting passion turned out to be the stepping stone to her writing career. She sold her first commercial work in 1999 to Pisces Press in Virginia Beach, Virginia, which also resulted in two ghostwriting assignments and has published non-fiction, romance and mystery short stories every year since.
Nancy's final words; "Everyone is a work in progress, just like our writing. Don't give up our dreams. Writers who don't write are unhappy."
Nancy's website for more information on her books and services at http://www.nlquatrano.com/ or email her at nancy@NLQuatrano.com. Look for her short memoir "By the Grace of God" in the February 2010 issue of the Pasco County FWA Chapter newsletter.
Tracy Redman
FCCW Treasurer and Incoming President for 2010
Thursday, February 19, 2009
Feeney Teaches How To Design a Book Cover
FCCW was graced with Author/Speaker Rik Feeney. Hands were busy writing as Rik expounded on his life, career, and secrets on how to get the most marketing value out of your book. Rik is an engaging speaker that had the audience on the edge of their seat trying to absorb all the great information he extols. Thankfully he had handouts for all of us which had all the great tips he went over.
Rik has a passion of sharing his knowledge with others. He demonstrates this by becoming coaches to athletes and up and coming writers where he can, through the skills and wisdom he learned, in his stations of life, direct others on their own paths.
Twenty five years ago Rik was a competitive gymnast through High School and Temple University . During his career, Rik owned and worked at private gymnastics clubs where he trained gymnasts from state to national level competitors. Later he turned author.
Rik is the author of several books on the sport of gymnastics, the first of which was “Gymnastics: A Guide for Parents and Athletes” his latest book "Back Handsprings; The Secret Techniques" is featured in the movie "Fired UP." True to form, he now coaches up and coming writers to fulfill their dreams of writing, his web site is http://www.IsThereABookInsideYou.com/
At FCCW he talked about the "three marketing stages of the book" and "marketing with book elements." Rik explains that books represent the author, the author is the product. In today's market where less than 17% of people buy books and less than 10% of readers get past the first chapter you must put out a product that will bring book buyers and readers to your book.
A good price point helps, but using the features of the book to do your marketing is key. An example of this is the book's cover which should pass the ten foot rule; from ten feet a person should be able to tell what the book is about by its picture and title. The title should lead with the main point and be 5-7 words in length. This will help when people are doing an Internet search and aid them while they are book shopping at the stores.
Rik also explains how placement of the title and your name on the spine is important when your book is shelved in a library. The idea is to leave a one-inch space at the bottom of the spine so the author name is not covered by the library's coding.
His great ideas continued as he explained how to use the back cover blurb to list benefits and especially a "call to action" requesting the consumer to buy the book. Rik also talked about book size, white space between paragraphs, and sub-headings to help grab the attention of readers.
For more information about Rik and his web sites, use the following information:
Rik Feeney
Richardson Publishing
PO Box 162115
Altamonte Springs, FL 32716
407-862-5037
coachrik@aol.com
www.RichardsonPublishing.com
www.GymnasticsTrainingTips.com
www.PuppyLoversJournal.com
www.KittenLoversJournal.com
www.IsThereABookInsideYou.com
Upcoming talks by Rik Feeney:
March 21, 2009 - Ancient City Writers - St. John's Library / St. Augustine at 9:45 AM
Talk #1: Developing Author Web Sites
Talk # 2: Benefits & Concerns of Traditional, Print-On-Demand, and Self-Publishing Formats
March 22, 2009 - Gainesville Writers - Tower Road Library - 2:30 PM
Talk: You Can Write A Book in 60 Days!
April 15, 2009 - Melbourne Writers Group - Site TBA - Time TBA
Talk: Publishing 101: The Basics
April 19, 2009 - Pasco Writer's Conference - New Port Richey Library - Time TBA (must enroll in conference)
Talk: Article Writing Workshop
By Tracy Redman, FCCW Member
Thursday, January 22, 2009
Queen Lily's Vet & Author Tells Her Story
At some point in our lives we’ve all experienced the trauma of a move. For children in particular, relocating to a new, strange place can be very unnerving.
That is the premise of Sharon Hoffman’s new book, The Story of Queen Lily. In it, Sharon relates to anxious young readers about the upside of moving. The story puts them at ease through well-written, child-oriented dialogue and delightful photos.
Photos of what? Of the main character, Lily, who happens to be a fluffy, gregarious cat with lots of experience on the topic.
Sharon, a veterinary dentist and oral surgeon, wanted to write a book about “something other than medical journals.” She and her family moved from Ohio to Jacksonville four years ago and, as she related it, the strain of the move became the seed of an idea for the book.
Queen Lily, their family cat, moved with them, but seemed to be the only one without trauma in the ordeal. As soon as they arrived, Lily went about exploring their new neighbors, the beach and the marshland around her new home. Thus, Lily provided both material and rationale for the story.
The story captivated members of FCCW at this week’s meeting through Sharon’s slides and discussion. She took it further by relating some important points about what it took to get published – a topic close to our hearts.
When she explored publishing options, Sharon found it too expensive, too complicated and that it took too long. As a first-time writer, she needed simpler approach, and was about to shelve the idea. Then, she found her answer at a small bookshop in Fernandina Beach where she met a “co-op publisher,” named G.W. Reynolds.
Mr. Reynolds explained his company’s minimal risk, fast approach to publishing. She agreed to the partnership he offered, and signed with Mr. Reynolds’ company called, High-Pitched Hum Publishing.
The happy ending is the book is now in print, and being enjoyed by numerous young ones, whether they’re moving or not.
By Ken Overman, FCCW Member